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It's not that he is powerfully acrobatic or unnaturally strong, it's that he is a seasoned expert in down-to-earth, realistic modes of fighting. Pan-su somewhat reluctantly takes Byung-tae under his wing and starts to teach him what he has learned about fighting and about life.These include gems of wisdom such as, "Sand and spit are the most useful objects at hand during a fight." Byung-tae tries his best, but at the same time he has a hard time shaking off the fear that he has been living with all these years.Park's short "Seaside Flower" follows days in the life of Eun-hye, an elementary-school-aged girl with Down's syndrome.Through the swatches of her life we see her isolation from her peers and her single mother's (Seo Ju-hee of Flower Island) struggle to make up for the evil that kids do.
In this way, "Seaside Flower" represents what might be a continuing theme in the series, allowing a character to play themselves or at least indigenously represent the community explored within the short, as Yeo Kyun-dong ventured in the first series in his short about the physically disabled which featured Kim Moon-ju, an actor with cerebral palsy. " is almost one complete take of a man with multiple prejudices that lead him to cast off every one of his "friends" and fellow patrons who are sharing the communal space of a late night restaurant.Pan-su, meanwhile, is played by acting god Baek Yoon-shik, who has already shown his mastery in films like Save the Green Planet and The President's Last Bang.Here he plays this role with a mixture of world-weary passivity and sudden, electric bursts of violence.Yet the film leaves you with an odd sense of emptiness.Part of this may be due to the inherent pessimism in the work, and its portrayal of a town where life is bleak and unlikely to improve.
The other major issue for the film industry in 2006 was the controversial reduction of Korea's Screen Quota System, which obligates theater owners to screen local films for a certain number of days per year. Filmmakers responded with lengthy public protests, but were ultimately unsuccessful in trying to get the government to revoke its decision. (Note that King and the Clown was released on December 29, so it is listed on the 2005 page) Seoul population: 10.35 million Nationwide population: 49.0 million Market share: Korean 63.8%, Imports 36.2% (nationwide) Films released: Korean 108, Imported 237 Total admissions: 153.4 million (=$954 million) Number of screens: 1,880 (end of 2006) Exchange rate (2006): 970 won/US dollar Average ticket price: 6034 won (=US$6.22) Exports to other countries: US$24,514,728 (Japan: 42%) Average budget: 4.0bn won including 1.4bn p&a spend Byung-tae is a teenager attending a tough high school, where the other students make it their daily habit to beat him up.